![]() ![]() ![]() “An equalizer should have no, ideally, should have no distortion of its own. The result is sonic quality that is undisputed, even at baseband 44.1 and 48 kHz rates. We’ve worked hard to insure that filter shapes in thEQred exactly match the best analog references. This may be true for some industrial applications, but such filters simply don’t sound musical. Most of them apply relatively low frequency resolution and then claim that frequency response mathematically interpolated between a few set points or that freehand drawing is the best solution. There are other plug–ins on the market using frequency–domain techniques. This results in unblemished sound quality. In addition, extremely high compute resolution has been used to avoid any cumulative truncation effects typical in complex frequency transforms. Unlike other frequency-domain filters, this avoids drums or other instrument containing strong transients from being blurred. Special measures have been taken to ensure high resolution at critical low frequencies while keeping time resolution untouched. ![]() Then, that spectral equivalent is operated upon. That is, the input signal is first transformed into a spectral representation. Also, having all twelve Sections visible simultaneously, not to mention the SORT button function. The UI affords super fast setup and includes a number of unique features which help to speed your work: The positive & negative Contribution function including absolute difference, the highly adjustable sonogram which makes detecting problem spots easy, and the possibility to play a note on the keyboard that you have in your head and then snap a Section to that respective frequency with one click. Specifically, he wanted to make the user interface, the UI, more flexible and faster to use because there is no other tool in the mastering chain that receives as much “seat time.” The result: Our thEQ UI and feature set. As a power user, our visionary Friedemann had some ideas in mind regarding the improvements. DOWNLOAD MASTERING FINISH CARPENTRY WITH GARY KATZ 64 BITWith twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.Ī little backstory…An idea was born to reissue this masterpiece, along with the other legendary Algorithmix EQs, and make it available as 64 bit in all common formats and (finally!) for macOS. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. There is no other æsthetic equalizer like thEQred. Think of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a MAAT makeover. ![]()
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